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There were cross-generational pollination on other runways, too. Emerging designer Jordan Gogos’s extravagant sophomore show was an unabashed celebration of color and kitsch with 15 monumental sculpture and 60 collaborators. One of them was arist and designer Jenny Kee, who closed the 14 steps to a better you tour shirt it is in the first place but show in repurposed versions of her own designs, dancing her way down the runway to club music. “Jenny wasn’t just a designer. She made a ripple effect that undoubtably changed the trajectory here,” Gogos said. Now he is following suit. “I don’t need to see more clothes,” he added. “I want a whole new experience. I want to see what the future is.” Though different social and economic forces were at play, the Covid lockdowns reminded many of the relative cultural isolation of Australia in the 1980s. Back then, a bold creative identity and pride developed as a prospering country found its voice on its own. Something similar is happening now. “Although social media exposes us to the rest of the world, the fact that geographically we live so far away means we need to be self-reliant, resourceful, and resilient; we do more with less,” said Leila Naja Hibri, CEO of the Australian Fashion Council (AFC).