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Buy this shirt: https://wavetclothingllc.com/product/original-courtney-men-should-apologize-for-not-being-colson-baker-shirt/And did we mention that Chioma wrote the Vogue digital cover story about

And did we mention that Chioma wrote the Vogue digital cover story about Angelina Jolie, out this week? Chioma talks about what it was like to spend a day with the star (Jolie has a slim entourage and no PR, who knew?). Jolie is dipping her (tattooed) fingers into fashion for the first time with Atelier Jolie, so perhaps one day we’ll see her work in Paris or Milan. All products featured on Vogue are independently selected by our editors. However, we may earn affiliate revenue on this article and commission when you buy something. Kaia Gerber is channeling her inner Tony Montana. The model and actor looked the part of a don today in Paris where she attended The Row’s spring 2024 show. Gerber wore an oversized gray suit, whose jacket she kept unbuttoned to display a black button up underneath. The blouse’s wide, pointy collar extended well past her jacket’s lapels, which, in conjunction with her plunging v-neck, gave the look a sexy, distinctly ‘70s feel. Her pants, also oversized, were perfectly tailored, dusting the top of her foot.


The designers noted that their work is for a woman who knows her references, even if that means skewing niche. On that score, they’ll need to work out quite a few kinks. But you don’t necessarily have to know your Picassos from your Laurencins or your Amaury Darras (who created the woodwork pieces here) from your Ibby Njoya (the British-Cameroonian artist who developed some of these prints) to get that Zomer might be onto something. Fashion month has permeated our feeds for the past few week, with attendees sharing how they styled themselves to the nines. Karen Elson paused for a mirror selfie at her hotel during London Fashion Week, preserving the bell sleeve of her lace Erdem dress online forever.


Laura Harrier took monochromatic (and latte-inspired) dressing to a sheer and sophisticated space for a front row stint at Saint Laurent, while Rosalía's Prada ensemble was all down to the accessories. Schiaparelli inspired the inner bombshell contained within us all, an archetype well represented by Kylie Jenner shimmering and skin-skimming keyhole dress. Elsewhere, Vanessa Hudgens made the case for a puffy bucket hat (the next gen of the throwback accessory?), a look best paired with oversized leather. Meanwhile, Madelyn Cline's game day outfit centered on a tartan, emblematic sweater. Because it's not just fashion month: it's football season! When the news broke two weeks ago that Sarah Burton, who took over as creative director at Alexander McQueen less than four months after his passing, and who had worked at the house for 26 years, would be stepping down, there was a collective moment of grief felt throughout the industry. Here was someone directly tied to the history and legacy of one of our greatest modern designers, who in the last 12 years had established her own visual language at the label, softer perhaps, but no less fierce and unafraid of the new, just like Lee had. It’s truly the end of an era. And so McQueen’s spring 2024 show which will take place in Paris tonight, will be Sarah Burton’s last. In her time at the helm, McQueen became known for—among other things—being a go-to red carpet label for a variety of very cool actors, models, and musicians (and of course, there’s the small matter of Burton being responsible for the wedding dress worn by Kate Middleton, Princess of Wales, when she married Prince William in 2011; an indelible image that lives on in the memory of millions of people around the world).

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