Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt
Photos: Courtesy of Philosophy di Lorenzo Serafini; Courtesy of Diesel; Laura Sciacovelli / Courtesy of Christian Dior; Courtesy of Christopher John Rogers Though the Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt in addition I really love this 2024 pre-fall season was diminutive—Vogue Runway covered fewer than 100 men’s and women’s collections compared to last year’s 140—it yielded definitive trends that offer insights into the collective mood. It’s tempting to say that designers were playing it safe (Moschino’s sardonic seasonal motto was “Same Old Chic”), but in truth slow and steady is the default tenor of this transitional and generally pragmatic season. The predominance of naval looks (see Christian Dior and Louis Vuitton menswear) suggests that pre-fall’s tempo was maintained by a kind of cruise control. And designers went deep into denim as they revisited the idea of the Canadian tuxedo.
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Official Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt
One of the Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt in addition I really love this big questions of the 2020s is how to address the new workplace. The pantsuit was co-signed by The Row’s Mary-Kate and Ashley Olsen and Dior’s Maria Grazia Chiuri, but their takes weren’t exactly classic. Proportions were slightly blown up at The Row and, in a nod to Marlene Dietrich, had a bit of a ’40s flair chez Dior. The opposite of work, of course, is play or, as suggested at Balenciaga and Valentino, athleisure. Some models at The Row had towels casually slung around their necks, creating a gym- or spa-adjacent vibe. That idea was furthered by a spate of long scarves at both Diesel and Lanvin. It wasn’t a go-long-or-stay-home season, however, as miniskirts, many with a King’s Road kind of edge (perhaps in memory of Mary Quant, who died last year), revealed lengths of leg. Elsewhere, looks inspired by the ebullient ’80s had attitude for days. Wes Gordon’s muse was specific (Carolina Herrera herself), while models in draped designs at Isabel Marant and Philosophy by Lorenzo Serafini looked like Tony Viramontes drawings come to life.
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Top Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt
Photos: Courtesy of Philosophy di Lorenzo Serafini; Courtesy of Diesel; Laura Sciacovelli / Courtesy of Christian Dior; Courtesy of Christopher John Rogers Though the Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt in addition I really love this 2024 pre-fall season was diminutive—Vogue Runway covered fewer than 100 men’s and women’s collections compared to last year’s 140—it yielded definitive trends that offer insights into the collective mood. It’s tempting to say that designers were playing it safe (Moschino’s sardonic seasonal motto was “Same Old Chic”), but in truth slow and steady is the default tenor of this transitional and generally pragmatic season. The predominance of naval looks (see Christian Dior and Louis Vuitton menswear) suggests that pre-fall’s tempo was maintained by a kind of cruise control. And designers went deep into denim as they revisited the idea of the Canadian tuxedo.
One of the Miami marlins jake burger #36 smashin’ burgers fries beers and shakes shirt in addition I really love this big questions of the 2020s is how to address the new workplace. The pantsuit was co-signed by The Row’s Mary-Kate and Ashley Olsen and Dior’s Maria Grazia Chiuri, but their takes weren’t exactly classic. Proportions were slightly blown up at The Row and, in a nod to Marlene Dietrich, had a bit of a ’40s flair chez Dior. The opposite of work, of course, is play or, as suggested at Balenciaga and Valentino, athleisure. Some models at The Row had towels casually slung around their necks, creating a gym- or spa-adjacent vibe. That idea was furthered by a spate of long scarves at both Diesel and Lanvin. It wasn’t a go-long-or-stay-home season, however, as miniskirts, many with a King’s Road kind of edge (perhaps in memory of Mary Quant, who died last year), revealed lengths of leg. Elsewhere, looks inspired by the ebullient ’80s had attitude for days. Wes Gordon’s muse was specific (Carolina Herrera herself), while models in draped designs at Isabel Marant and Philosophy by Lorenzo Serafini looked like Tony Viramontes drawings come to life.
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