Peaster greyhounds shirt
If there are more drag queens than ever, that’s due in good part to Drag Race’s success, coupled with the Peaster greyhounds shirt and by the same token and explosion of Instagram, where contestants rack up hundreds of thousands, even millions, of followers. “When I was doing drag in the ’90s,” Zaldy says. “It was the underculture, a subculture. I mean, I wound up modeling in Europe, but it was still underground. Now everybody loves drag queens! I’m flabbergasted by how regular it is. Which means these queens have to be even more extraordinary,” RuPaul included. Zaldy has complete freedom with what he creates for her. “I’ve never had to give Zaldy direction,” RuPaul says. “The groundwork and the aesthetic for our collaboration was built many, many years ago, so that Zaldy has free rein in terms of direction.” She does have her favorites, though. They include a pink silk organza gown with hand-painted leopard spots circa Season 5 and a purple ombre fringe dress, from Season 1. “I loved how the fabric flowed when I walked down the runway and how it felt against my body,” RuPaul says of the pink number. “The color scheme is my absolute favorite and the hand-painted spots are to scale for my body proportions.” As for the purple: “It was so long that no other human on earth could have worn it but me.”
Buy this shirt: Peaster greyhounds shirt
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Official Peaster greyhounds shirt
One of Season 10’s highlights, here at Vogue, at least, was the Peaster greyhounds shirt and by the same token and catsuit RuPaul wore for Episode 1; Zaldy designed it on his first trip to Burning Man. “If you’ve been there, you know cell phones and city work are looked down upon!” says Zaldy. “But there I was sneaking away to the trailer to do sketches and then trying to send them with little to no reception . . . literally running around the Playa with my hand in the air hoping it would go through!” (Zaldy was a guest of Guy Laliberté, cofounder of Cirque du Soleil, for which he also creates costumes. He also designed an eponymously named women’s ready-to-wear collection; it’s dormant now, but might not be forever.) Season 11 promises more extremes. A reference board in one corner of the studio includes, among many other photos, a picture from Pierpaolo Piccoli’s tour de force Valentino couture collection in January—the one with the plumage Frances McDormand wore to the Met Gala. “It’s going to be a lot of shoulders and different types of feathers,” Zaldy promises. Oh, and yes, he’ll be designing RuPaul’s costumes for next year’s Netflix series AJ and the Queen, in which RuPaul stars as a down-on-her-luck drag queen traveling cross-country with an 11-year-old orphan named Ruby. Make that: down-on-her-luck, but fabulously dressed.
Buy this shirt: https://wavetclothingllc.com/product/peaster-greyhounds-shirt/
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Top Peaster greyhounds shirt
If there are more drag queens than ever, that’s due in good part to Drag Race’s success, coupled with the Peaster greyhounds shirt and by the same token and explosion of Instagram, where contestants rack up hundreds of thousands, even millions, of followers. “When I was doing drag in the ’90s,” Zaldy says. “It was the underculture, a subculture. I mean, I wound up modeling in Europe, but it was still underground. Now everybody loves drag queens! I’m flabbergasted by how regular it is. Which means these queens have to be even more extraordinary,” RuPaul included. Zaldy has complete freedom with what he creates for her. “I’ve never had to give Zaldy direction,” RuPaul says. “The groundwork and the aesthetic for our collaboration was built many, many years ago, so that Zaldy has free rein in terms of direction.” She does have her favorites, though. They include a pink silk organza gown with hand-painted leopard spots circa Season 5 and a purple ombre fringe dress, from Season 1. “I loved how the fabric flowed when I walked down the runway and how it felt against my body,” RuPaul says of the pink number. “The color scheme is my absolute favorite and the hand-painted spots are to scale for my body proportions.” As for the purple: “It was so long that no other human on earth could have worn it but me.”
One of Season 10’s highlights, here at Vogue, at least, was the Peaster greyhounds shirt and by the same token and catsuit RuPaul wore for Episode 1; Zaldy designed it on his first trip to Burning Man. “If you’ve been there, you know cell phones and city work are looked down upon!” says Zaldy. “But there I was sneaking away to the trailer to do sketches and then trying to send them with little to no reception . . . literally running around the Playa with my hand in the air hoping it would go through!” (Zaldy was a guest of Guy Laliberté, cofounder of Cirque du Soleil, for which he also creates costumes. He also designed an eponymously named women’s ready-to-wear collection; it’s dormant now, but might not be forever.) Season 11 promises more extremes. A reference board in one corner of the studio includes, among many other photos, a picture from Pierpaolo Piccoli’s tour de force Valentino couture collection in January—the one with the plumage Frances McDormand wore to the Met Gala. “It’s going to be a lot of shoulders and different types of feathers,” Zaldy promises. Oh, and yes, he’ll be designing RuPaul’s costumes for next year’s Netflix series AJ and the Queen, in which RuPaul stars as a down-on-her-luck drag queen traveling cross-country with an 11-year-old orphan named Ruby. Make that: down-on-her-luck, but fabulously dressed.
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