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To put it plainly, no one walks on the runway like Naomi Campbell. “I still enjoy it but it’s nerve-racking! Because I’m 51 years old walking with girls who are 18!” the model previously told British Vogue in her March 2022 cover interview. “It’s great to be with these young ’uns at my age, but I have to say, at one of the shows I was like, ‘Come on, girls! Pick up your feet! Why are you walking so slow?’” In the same conversation, she explained how in the ’90s she was able to create a walk that felt personal and identifiable: “I definitely feel like my time was more joyful. We smiled. We got to show off our personalities.” This September it has been all about the original supermodels, as Cindy, Christy, Linda, and Naomi were on the cover of Vogue’s September issue and closed Vogue World: London by walking hand in hand on stage while Annie Lennox sang the anthem “Sweet Dreams”. The supers are also currently starring in a hotly anticipated documentary on Apple TV+, which charts their stratospheric rise in the ’90s and the impact they have had on the fashion industry. Something tells us this isn’t the end of this super September, and we will see more of Naomi’s stride in Paris. Since finding a following with his hit single “Ode to a Conversation Stuck in Your Throat” in 2020—Florence Pugh was an early fan—S. Holden Jaffe, known professionally as Del Water Gap, has blasted out of lockdown and into a string of back-to-back tours over the last few years. Yet Jaffe’s career began far earlier: He’s also produced and co-written music with Maggie Rogers, a friend of his from NYU, who was part of the Del Water Gap project in its earliest iteration.
Now, he’s just days away from releasing his sophomore album, I Miss You Already + I Haven't Left Yet, out September 29. “Great art is channeling openness,” Jaffe tells Vogue. “The creation of this album was about letting go of the ambition that comes with art and surrendering to the unknown.” IMYA+IHLY is a 12-track indie-alt album exploring love, connection, commitment, independence, and what it means to share yourself with another person while still learning who you are. With features from Clairo and Arlo Parks, it’s the type of record that can both evoke the whimsy of sticking your head out of a moving car, and, just a few songs later, deliver the perfect track for crying over a recent heartbreak. Jaffe asserts that “Want It All,” a song about about art-making and ambivalence, is perhaps the most vulnerable one he’s ever written; and he describes the album at large as presenting a perfect picture of his mind and heart while he was writing it (mostly in green rooms, between gigs).
The year-and-a-half-long recording process marked a new creative phase for Holden. After about 40 studio sessions with different people to find the right producers for the album, Jaffe finally aligned with four, leaning on Sammy Witte in particular. (You may know Witte from his work on Harry Styles’s Harry’s House.) The Grammy Award-winning Witte, whom Jaffe characterizes as having a “mystical calm,” helped Jaffe—himself a meticulous producer—to get out of his own way. “People’s artistic self-flagellation can take different forms; for me, it’s obsession. I would ask myself: Is this vocal two decibels too loud? I’m going to listen to it on different headphones to decide,” explains Jaffe. “Sammy would say, ‘We’re not writing, we’re just hanging out, drinking coffee, and playing with my dog.’ I trusted him enough to open up my heart and write.”
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