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Sofia Coppola is a bona fide style icon, not simply for her own pristine uniform of button-downs, denim, and ballet flats, but also because every single one of her films is catnip for fashion lovers, from the decadent fantasia of Marie Antoinette to the tongue-in-cheek ’00s-era styling in The Bling Ring. A passing glance at the auteur’s Instagram feed is enough to confirm that her next release, the ravishing biopic Priscilla, will be no different, crammed as it seems to be with candy-coloured ’60s shifts and dainty kitten heels, to say nothing of that unforgettable, lace-trimmed wedding dress. Ahead of its premiere at the Venice Film Festival, we take a look back at the director’s eclectic but always impeccably styled oeuvre.
This wistful, sweeping mood piece, which earned Coppola a best original screenplay Oscar, remains her best: the gentle and expertly calibrated tale of two strangers—Scarlett Johansson’s recent Yale graduate and newlywed, and Bill Murray’s fading movie star, both in the midst of personal crises—who cross paths at the sleek hotel bar at the Park Hyatt Tokyo. Their adventure through the neon-drenched, cacophonous capital takes them to sushi bars, arcades, strip clubs, and karaoke dens, with each scene revealing their increasing closeness through stolen glances and knowing smiles. Although our heroine is hardly a fashion plate—in fact, she sets herself up as the bookish, introverted antithesis of Anna Faris’s gregarious, karate-chopping Hollywood starlet—there’s a quiet elegance to her asymmetric tops, crisp shirting, and slouchy tailored trousers. See photos of Coppola calling the shots on set, and you’ll find that they look strikingly similar.
Books could be—and have been—written about the pastel-hued delights of this raucous romp: elaborately ruffled corsets, feather-strewn boaters, towering headpieces, ornate fans, velvet bows tied at the neck, copious amounts of glittering jewels, and Manolos that look good enough to eat. As Kirsten Dunst’s hedonistic French monarch blossoms from fresh-faced ingénue to reckless party girl and, eventually, (relatively) pared-back bohemian, her fashion evolution is a joy to behold, but if there’s a single scene which offers a microcosm of the film’s countless pleasures, it’s the thrilling shopping montage set to Bow Wow Wow’s “I Want Candy”—a veritable assault on the senses featuring overflowing champagne saucers and plate upon plate of Ladurée macarons. Bonus points if you spot the pair of blue Converse All Stars which lie discarded in a corner—just one of the many subtle ways in which Coppola injects a youthful, carefree, punk-rock spirit into what could have been a staid historical saga, quietly redefining the genre in the process.
Product detail:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
Material Type: 35% Cotton – 65% Polyester
Soft material feels great on your skin and very light
Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
Taped neck and shoulders for comfort and style
Print: Dye-sublimation printing, colors won’t fade or peel
Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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