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That freedom and diversity of expression must be gratifying for you Jean Paul, since you pioneered that on the runway. JPG: I really think it’s always about someone else, about seeing someone who’s inspiring and completely of a moment. I think that’s how we’re made: we see something, and then we re-offer what we’ve seen. It’s a little like giving directions. JD: Yes, like interpreters or translators. It’s like a culture. Like we said about characters and clothing that speaks—there’s all the atelier’s work, the sophistication of it, the way you approach a silhouette. We are here to look at the clothes; [the runway] shouldn’t become an amusement park, because then you can’t see as far. This is about the clothes, a love of clothes that are meant to be really seen and worn and the clients who will wear them, and who buy them the same way they would a piece of art. Yes, it’s couture, but it’s also a reality.
JD: The idea of pleasure is important, because in your work no one had expressed ideas of provocation and irony in that way before. There’s something innocent and generous about that. JPG: It comes from reality: it’s always about people you see or meet, or someone who inspires you with an attitude. JD: It can be the way a girl dances at a party, for example. Someone with charisma and attitude can lead you to creating completely new characters. That’s what’s so interesting about what we do, aside from the finality of designing a piece. JD: I like it most when inspiration happens as naturally as possible, and I love the idea of freedom in general. I’m an optimist by nature, so when I see a whole generation that doesn’t sit around wondering whether they want to look “more like a boy” or “more like a girl”—we’re not even talking about androgyny anymore, we’ve moved beyond that. This new generation has exploded the old way of thinking beyond what I would have thought possible. Now, freedom of expression is very pure—you can be whatever you want, and I find that really beautiful. Freedom without limits inspires me. It gives me a lot of hope for the future.
First of all, why is this movie called A Complete Unknown when there are so many better Dylan lyrics? (Personally, I’ve always been partial to “Your sons and your daughters \ are beyond your command,” but maybe that’s a little wordy.) Social media has had a lot of fun goofing on the various people Chalamet resembles in this photo, from an aughts Keira Knightley at the airport to Phoebe Buffay from Friends (okay, I posted that last one), but I’m suddenly struck by how much he looks like…Timothée Chalamet in a Bob Dylan costume. The scarf. Let’s talk about the scarf. Is it…angora? Is it carpet? Is it weird-overstuffed-pillow-in-a-Seattle-coffeehouse material? I’d have to see more of the jeans to be sure, but they’re looking a little baggy in the thigh for an artist who looked so famously good in tight pants.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
Material Type: 35% Cotton – 65% Polyester
Soft material feels great on your skin and very light
Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
Taped neck and shoulders for comfort and style
Print: Dye-sublimation printing, colors won’t fade or peel
Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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