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Click here to buy this shirt: Click here to buy Official King gizzard and the lizard wizard aug 15 2024 the anthem in Washington Dc poster shirt
Intrigued by the idea of a grown-up alternative to the typical soccer uniform, I wanted to riff on the typical silhouettes while breaking out of sweat-wicking fabric on my bottom half. Enter black denim. These Bermuda-style shorts, which hit a bit above the knee, mimic the silhouette but with more structure. Cinched tight with a silver studded belt, the final outfit is a reflection of my current personal style—easy, with an unexpected twist. Oh, babydoll. A shrunken hem on a five-foot-nine frame may look like I’m at risk of showing a little too much skin, but teeny-tiny shorts are, luckily, very popular. I love the idea of having them hidden underneath a micro silhouette, just daring to make an appearance. Since it’s a risky choice, I say balance everything out with the addition of polished loafers and a demure bag. Who’s a lady now?
Few photographs remain as indelible as Peter Lindbergh’s 1990 image of the original supers—Naomi, Linda, Christy, Cindy, and Tatjana, no last names needed—all in jeans and drapey black tops, with almost-bare faces and hair flowing in the wind. It captured the women that defined a decade, and showed them as themselves, rather than as the chameleons they were known to be. Now, 33 years later, they’ve reunited to front Vogue’s September issue, seen through the lens of the young Rafael Pavarotti. (Tatjana Patitz sadly passed away earlier this year.) “My reaction when I was asked to be part of this September photoshoot was, ‘is this really happening?’” says Naomi about the idea of reuniting with the women who have seen her—and whom she has seen—grow. “We get there and we’ve forgotten we’re there to work.” The supers posed in a variety of configurations, by themselves, and with each other, wearing handsome suits, elegant evening gowns, and of course, jeans and tank tops. Though the latter is a playful nod at the stripped-back images that brought them legendary status all those years ago, it’s not meant to be a re-boot.
“The inspiration for the shoot was to show the girls as they are now in their lives,” explains British Vogue editor-in-chief Edward Enninful. “We are not recreating images from the 1990s, they’re not supposed to be who they were when they were 21, it’s who they are now and we wanted to show it through the lens of joy.” In their teens and twenties they were emblematic of an era, but now in their 50s, their continued visibility stands for something else. “We’re women—we were women then but we were young women then,” exclaims Christy. “Now we’re fully women in our power, in our bodies, not going anywhere, and maybe we’ll be back in 30 or 40 years again.” We should all be so lucky. Watch the making of the September cover below.
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